Rajdeep Sardesai was the Editor-in-Chief, IBN18 Network, that includes CNN-IBN, IBN 7 and IBN Lokmat. He has 22 years of journalistic experience during which he has covered some of the biggest stories in India and the world. Prior to setting up the IBN network, he was the Managing Editor of both NDTV 24X7 and NDTV India and was responsible for overseeing the news policy for both the channels. He has also worked with The Times of India for six years and was the city editor of its Mumbai edition at the age of 26.
During the last 22 years, he has covered major national and international stories, specialising in national politics. He has won numerous other awards for journalistic excellence, including the prestigious Padma Shri for journalism in 2008, the International Broadcasters Award for coverage of the 2002 Gujarat riots and the Ramnath Goenka Excellence in Journalism Award for 2007. He has won the Asian Television Award for best talk show for the Big Fight on two occasions and his current flagship show on CNN-IBN, India at 9, has been awarded the best news show at the Asian awards for the last two years. He has been News Anchor of the year at the Indian Television Academy for seven of the last eight years and won more than 50 awards in this period. He has also been the President of the Editors Guild of India, the only television journalist to hold the post and was chosen a Global leader for tomorrow by the world economic forum in 2000.
An alumni of St Xavier's College, Mumbai, he has done his Masters and LLB from Oxford University and has also played first class cricket for the Oxford University team. He has contributed to several books and writes a fortnightly column that appears in seven newspapers.
For eight months now the Indian cricket fan has waited with breathless anticipation for the ultimate cricket icon, Sachin Tendulkar, to score his 100th international hundred. All this while, one man has stayed under the radar, doing what he has done with quiet efficiency for several years now. In this season of hype and noise, of made-for-TV fasts and high-pitched spectacles, Rahul Dravid has reaffirmed one's faith in old fashioned values of solidity and integrity. The 38-year-old Bangalorean, in the autumn of a glorious cricketing career, has shown that true class doesn't need a megaphone for self-promotion but only needs an unswerving commitment to one's profession. In the process, Dravid has provided an inspiration to the silent majority who prefer their heroes to be performers rather than showmen.
To be in the limelight and yet stay out of it can't be easy and yet Dravid has handled the highs and lows of life with equanimity and perhaps greater dignity than most of his peers. Remember Dravid's first test in 1996 was also a debut match for Saurav Ganguly. Comrades in the revival of Indian cricket, their attitude to life and the game could have been scarcely more different.
Ganguly was the 'Prince of Kolkata', almost born to rule. Dravid, by contrast, carried a rather more prosaic epithet - 'The Wall'. Ganguly was emotional and excitable, baring his chest to adoring supporters at Lords in a coming of age cricketing moment. Somehow, one can't imagine Dravid revealing his biceps in public. When Ganguly was dropped, Kolkata came out on the streets. If Dravid were to be dropped, it is doubtful that the traffic would stop on Bangalore's MG Road. Perhaps, Ganguly's ebullience made him the better captain, but clearly Dravid's dedication has ensured longevity.
Of his contemporaries, only Tendulkar stands ahead of him in terms of runs and centuries. Perhaps playing in the Tendulkar era has meant that we have never quite been able to appreciate the full range of Dravid's skills. The Bradman age saw the emergence of many great batsmen but such was Sir Don's influence on the game that all others were overshadowed. The Tendulkar phenomenon has had a similar effect. And yet, if Tendulkar is the artist, Dravid has been the artisan, chiselling away at perfecting his craft to the point where he can actually claim to be in the same exalted space as the Mumbai genius.
In some respects, Dravid actually has the edge over the mighty Tendulkar. For example, if you exclude Zimbabwe and Bangladesh, Dravid's average in overseas series is marginally better than Sachin's as is his contribution to India's overseas wins. Quite remarkably, 32 of his 36 test centuries have come in wins or draws, confirming his stature as a true match winner. Add to nearly 13,000 test runs, the small matter of 10,000 ODI runs and 200 plus test catches, and his place as an all time great is assured.
And yet, more than the runs, it's the character of the man that has stood out. In a long international career, there is only one controversy that one can associate with Dravid: when as stand-in captain against Pakistan in Multan, he declared the Indian innings with Tendulkar batting at 194 not out. For those who see Sachin as a demi-god, the declaration was seen as the ultimate act of apostasy, designed to prevent a living deity from reaching yet another milestone. For Dravid, it was the result of a philosophy that always put team above individual, a mindset that even led him to become a wicket-keeper for a while in the ultimate interests of Indian cricket.
2011 has perhaps best defined the man's spirit. Dropped from the One Day side, not considered good enough to play in the World Cup, battling with form, it would have been easy for Dravid to opt out. Amidst a slew of talented young batsmen, Dravid could have been forgiven for feeling like an antique item. This was, we were repeatedly told, the era of 20-20 cricket, of heavy bats and big sixes. Technique was seen as a cricketing romantic's nostalgic yearning; contemporary cricket was all about speed and power. Dravid's best shot was his forward defence, head right over the ball, a stroke many believed was best left to practise in a coaching manual, not on the cricket field. And yet, it is that very defensive correctness that has seen Dravid succeed in England this year when the young guns around him struggled.
Indeed, this has been the year when Dravid the batsman re-invented himself, not for the first time. In the late 90s, he wasn't considered good enough for limited overs cricket. Not one to be easily disheartened, he worked at his game to the point where he was the top scorer in the 1999 world cup. This year, he was picked for his first ever 20-20 international, a seemingly desperate move by an Indian cricket selection system that was running out of options. Dravid responded by stroking three consecutive sixes, his way of reminding the Indian cricket fan that a genius in sport will not be chained by format.
It is possible that having answered every challenge, Dravid will seriously consider retirement soon. There are very few cricketing mountains he has left to climb and there will be no doubt a desire to spend more time with a young family. When he does eventually take the final bow, it's unlikely to be a dramatic announcement. Somehow, theatrics and Rahul Dravid simply don't go together. He will wish to fade quietly into the sunset, leaving behind memories of a bagful of runs, plenty of catches, but above all, a resoluteness of purpose. In an age of umpteen page three mini-celebrities, Dravid is a page one star to be treasured.