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Masand's Verdict: Honeymoon...

TimePublished on Fri, Feb 23, 2007 at 22:39, Updated on Sat, Feb 16, 2008 at 00:19 in Entertainment section

ROAD TRIP ROMANCE: There are moments peppered throughout the film that make you smile.

ROAD TRIP ROMANCE: There are moments peppered throughout the film that make you smile.


    

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Both Kay Kay and Raima perform superbly, like real flesh and blood characters in a heap of somewhat cardboard caricatures.

And finally, there's Boman Irani and Shabana Azmi as the oldest couple of honeymooners, who're just a class apart for the depth, the believability and the emotional resonance they are able to find in their roles.

A word here has to be said for Boman Irani who not only physically transforms himself into Oscar Fernandes, but actually becomes the character courtesy the little nuances, the accent, the dialogue delivery that he invests into the role.

Honeymoon Travels Pvt Ltd starts off as a joyride filled with beautiful little moments that suggest the lady at the helm, director Reema Kagti is an observant and perceptive writer.

Like the scene in which Kay Kay Menon encourages his wife Raima to indulge her desire to go parasurfing in a saree, and then gets all embarrassed when her saree comes loose mid-air.

Or then the scene between Boman and Shabana where he grabs her and kisses her impulsively in the middle of the street right after a teary memory.

It's little moments like these, peppered throughout the film that really make you smile because they're heartfelt and funny. But about forty minutes into the film, you notice the director's losing her grip on the story.

The whole track about one husband hiding his superhero identity from his wife, then being pleasantly surprised when she makes a revelation of her own is just ridiculous.

I'm sorry, that doesn't fit into this film. Funny it may be, but it sticks out like a sore thumb because this isn't one of those suspend-your-disbelief kind of fantasy films.

Even the gay angle - I'll buy the bit about the guy who gets married as a front, but then the bit about the second guy finding himself being attracted to this one - that's a bit too far-fetched.

Don't get me wrong, I'm not saying it can't happen. I'm just saying it seems like it's been forced into the film.

Which brings me to what I think is the real problem with this picture. I think the director started off on the right note but didn't know how to tie it all up.

I think she may have felt like she's established her characters, but now what, so let's try to add some drama.

Sadly, it's here where she loses her audience because everytime she shifts the spotlight from her main characters and their relationships, she ends up taking the wrong step.

Like the whole angle of Boman's rebellious daughter, or the Gujarati girl who elopes with her lover and how that track reunites with the main story.

All of these portions seem forced and unnecessary and they don't fit in easily into the screenplay.

Because it's a fairly original premise and because most actors perform competently, Honeymoon Travels Pvt Ltd isn't too much of an ordeal to endure.

It does help that the film's only about two hours long, so even the portions that jar don't exactly drive you to desperate measures.

There are many moments of pleasure to be derived from this film, but in the end when you leave the cinema, you feel like you don't exactly know where this film was heading.

An ending that's too abrupt, a narrative that goes haywire midway, and a sense of confusion looming large over the second half - it's problems like these that come in the way of this film realizing its full potential.

I'm going to go with two out of five for Reema Kagti's Honeymoon Travels Pvt Ltd. You won't hate it, but don't expect to come out smiling.

It's a strictly average film that could have been so much more. Watch it if you've got nothing better to do.

Rating: (Average)

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