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Masand's Verdict: Nishabd

TimePublished on Fri, Mar 02, 2007 at 23:10, Updated on Sat, Feb 16, 2008 at 00:19 in Entertainment section

BEYOND WORDS: Nishabd is Varma's conscious attempt to avoid clichés and stereotypes.

BEYOND WORDS: Nishabd is Varma's conscious attempt to avoid clichés and stereotypes.


    

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A compromise ending to a bold, brave story. I could have predicted the ending, and it's no fun when that happens. How I wish Varma had pushed the envelope all the way and gone with a truly bold ending that us regular Hindi-film junkies would never have predicted and would have been totally surprised by!

For the most part, Nishabd is watchable because it's held together by a truly awe-inspiring performance by Amitabh Bachchan. Unlike other clearly defined roles that are like a road map for actors while constructing their performance, his role in Nishabd is one that has no reference point. It's a performance that Bachchan creates out of thin air, based on his own understanding of the character. Remember the toughest roles to play are the ones that are too simple, too normal. It's not easy playing an average joe, but Bachchan does it marvelously.

Watch him in the scene where he breaks into a laugh in the middle of the night, or watch him in that pre-intermission scene where Jiah confronts him with her feelings, or even that scene where he's singing to himself much to his wife's surprise -- everything from his expressions, his dialogue delivery, even the movement of his eyes! It's difficult to imagine any other actor doing justice to a part so simple and therefore so difficult to play.

His co-star Jiah Khan is perfectly cast as the troubled girl who's very aware of her effect on this man. Wearing her sexuality on her sleeve, Jiah sashays in and out of scenes, showing so much thigh, you feel like you're in a mutton shop. Also is it just me or did you also notice that Jiah seems to be suffering from a Sharon Stone complex, she's constantly uncrossing her legs -- when she's standing, when she's sitting, when she's lying around on the floor -- everywhere. I don't think there's a single scene in the film where she's got her legs together.

All said and considered, Nishabd is bold even though it doesn't overstep the invisible moral line. It is, nonetheless, an experiment on Varma's part because it's unconventional in every sense - the narrative is not linear, the pace is leisurely and the plot itself is brave.

For these reasons I suspect there will be many who will not embrace it. Which is fine. As far as I'm concerned, I'll go with three out of five for Ram Gopal Varma's Nishabd. It makes you uncomfortable and shifty and even restless at times. It's everything that makes for a good character study. Give it a try.

Rating: (Good)

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